Launched onstage in SXSW 2019's top 10 product launches
Selected! Top 10 Company To Release Cutting-Edge Product On Stage At SXSW
10 Block (formerly known as Second Screen) is on the 2019 SXSW homepage today.
We're top 10 finalists to release a new product on stage opening day at the premier interactive conference in Austin, Texas.
Congrats to our fellow finalists & good luck in March! See a full list below.
Ampl
Santa Monica, CA
Ampl is an article discovery & article sharing platform that enables users to easily create conversations within shared articles on mobile. You can highlight text & add comments within articles, so a focused conversation is waiting for whoever you share the article with. It makes article sharing fun & easy.
Dorsum
Portland, OR
Dorsum is a company solving the problem of back pain caused by spinal misalignment during repetitive motion activities. Our supportive spinal device inserts into apparel as part of an interchangeable back support system. Dorsum is committed to creating purposeful and dependable products that adapt to motion and the user’s needs.
Leaf Tyme
Chicago, IL
The Leaf Tyme mobile app is a directory for the cannabis industry that connects consumers and patients to licensed dispensaries, brands, and clinics in their area. The platform allows users to find cannabis laws and regulations by state and learn how cannabis can help with common health conditions.
Lumous Helmet
Los Angeles, CA
Lumos is a next generation bicycle helmet that features integrated lights, brake, and turn signals. Lumos started as a Kickstarter campaign, and has gone on to be featured as one of Oprah’s Favorite Things and TIME Magazine’s Best Inventions of 2018. Lumos is also the first and only bike helmet to be sold in over 300 Apple Stores worldwide.
Nori Health
Nieuwegein, Utrecht
AI-driven chatbot coach for chronic disease patients. Nori helps them through regular conversations to discover and change lifestyle factors that make symptoms worse. To find an optimal quality of life with positive relationships.
Reviver Auto-mWebb
Foster City, CA
Reviver Auto created the Rplate, the world’s first and only digital license plate, transforming the 125 year-old metal license plate into a multi-functional, bi-stable high definition digital display, and customizable, connected vehicle platform. It enables virtually any legacy vehicle to transform itself into a connected smart vehicle taking advantage of today’s and tomorrow’s technology including smart cities, AI, autonomous and semi-autonomous systems, various vehicle ownership business models and much more.
Riteband
Stockholm, CA
Riteband is a stock exchange for music that empowers artists by bringing them cash when they need it; from fans and other investors who buy their future music copyright revenues. Backers can make a profit through secondary trading, just like on the stock exchange. Find the hit. Make money.
10 Block transforms high quality feature films & TV series into an experience the mobile generation loves by making great stories into bite-size blocks you can discover, binge and share on your phone. Their platform helps content owners reach today’s mobile viewers in an addictive social community.
The Labz
Atlanta, GA
The Labz’ is a music collaboration platform that frees music creators from the complex burden of song ownership data collection, ownership splits and song registration. We do this by integrating into the music creator’s current music sharing and songwriting digital workflow, collect data while creators collaborate, take that data to instantly register their ownership on a Blockchain database platform, and auto-generate simple forms such as a copyright and a split-sheets.
Thisten
Winnipeg, Canada
Thisten is an audio to text platform that transcribes the world’s information – in real time. Backed by Google Creative Lab, Thisten was founded by Liz Jackson and members of SkipTheDishes’ startup team – Rui Melo, Ben Grynol and Sudeep Sidhu.
Judging winning venture ideas at UC Berkeley: how about a toothpaste that fills in your cavities?
Called it! Congratulations to UJU for winning best of the Berkeley-based teams at BMOE Summer 2018.
And, an algorithm called it too?
Good time at Jason Calacanis's Founder University
Got a lot out of this mini accelerator experience from Jason Calacanis, the founder of Silicon Alley Reporter (a fellow dotcom industry pub to the one I was once an editor at!) among other things, like the LAUNCH startup conference, festival, podcast This Week In Startups and LAUNCH Incubator.
I was among the 60 founders chosen from 300 applicants, and I was representing Second Screen, Inc. where I've been COO since January (icymi!). Founder University is a three-day curriculum for founders who have launched their product but haven't raised Series A.
The Wrap's Power Women Breakfast for Girls Who Code
Good morning at TheWrap’s #PowerWomen2018 breakfast benefit for #GirlsWhoCode at Dolby Laboratories. Heard from #femalefounders of entertainment and technology ventures as well as the mayors of Oakland and Compton. #enttech #startups #wrapwomen
Second Screen featured in Europe's leading magazine for media & entertainment industry
In January I took a cofounder & COO role in Second Screen, a mobile startup in LA's Silicon Beach that aims to become the Netflix of bite-size series. Europe's magazine for the media & entertainment industry interviewed us for their May issue when they took a look at the adoption of second screen technology and other rapidly growing areas of mobile content.
Today they made the Second Screen app their cover star. Thanks to TVB editor Jenny Priestley for the interview of Second Screen's founder & CEO Estella Gabriel.
"Wouldn't the clever idea be to create an app where viewers can watch content but also comment about it?" asks TVB Europe's editor in her note prefacing the magazine.
Estella talks about social discovery: "Instead of an algorithm like Netflix has, we use a referral system. You can see what your friends are watching."
You can read the whole issue here.
Tracking the real-time reaction to Beyonce's Lemonade, TBT
I'm a big fan of the second screen experience of major cultural events.
"Never embark on last minute opportunistic adventures": ancient time management
Today the "Bad Feminist" author Roxane Gay on Twitter reminded me of this note on a website contact form I saw when requesting a blurb for the Expat Harem book: ancient self governance planning from Dr. Fatema Mernissi, shown in a screenshot of her site below.
Media & publishing pros 'running with the ball', TBT
TBT, to the book launch of The Season Of The Witch
This was a fun night with Fast Company journalist EB Liza Boyd at the Elks Club for Salon founder David Talbot.
His book "chronicles the cultural history of San Francisco and from the late 1960s to the early 1980s when figures such as Harvey Milk, Janis Joplin, Jim Jones, and Bill Walsh helped usher it from backwater city to thriving metropolis."
TBT, reporting on UNESCO award-winning architectural restoration in Southeast Asia
SUBMIT YOUR FEATURE FILM: Second Screen is now seeking 50 founding filmmakers
Second Screen, where I am COO & Cofounder, is now accepting film submissions for consideration.
The first founding filmmaker is on board at Second Screen, and he's an award-winning ambassador for the 49 other feature makers this mobile streaming platform is now seeking, for equity! Do you know a filmmaker like Fernando Lebrija who is right for Second Screen?
FILM DISTRIBUTION COMPANIES: become a Second Screen content partner
See more by visiting the Second Screen site.
A sneak peek: a new way to watch
A sneak peek at an email that goes out wide tomorrow.
Don't miss this part ...
ENTERTAINMENT + STARTUPS + TECH
How fun! Bringing together my experience in investment, media, entertainment, tech and culture, I've joined the Second Screen team.
I'll be heading operations at this exciting intersection of emerging platforms, innovative character-driven content formats, and millennial audiences.
We're currently raising a seed round.
Share this, and, talk to me!
Go see more at SECOND SCREEN.
VIP Mentor & Coach at Berkeley Law's PitchLab Workshops
Thrilled to be joining these speakers, coaches and founders at UC Berkeley PitchLab Workshops this spring.
The series of workshops for founders who attend Berkeley Law workshops is run by my fellow SCET-BMOE pitch judge George Kopas, and the PitchLab Leadership Team*, will address
- pitch deck models,
- elements of startup eco-systems,
- case studies from successful startups,
- coaching and mentoring for effective pitching, and
- founder and startup eco-system pointers.
The program will also include guest speakers - VCs, founders, judges, mentors, others - sharing their insights about elements of successful entrepreneurial efforts.
* The PitchLab Leadership Team
Silvia Segade Sanz, LLM, 2018 Berkeley Law
Felipe Saraiva Carneiro, LLM, 2018 Berkeley Law
Dax viviD, PhD UC Berkeley
Bruno Droghetti Magalhães Santos, LLM, 2018 Berkeley Law
Noha Yasmine, LLM, 2018 Berkeley Law
Luisa Scarpelli, LLM, 2018 Berkeley Law
Carlota Sáenz Guillén, LLM, 2018 Berkeley Law
Victoria Howell, Newton Distinguished Innovator Lecture Series; former Director, SCET Bootcamps, UC Berkeley
TBT, interviewed by travel writer Rolf Potts
Excerpts from a 2007 interview by Rolf Potts of Vagabonding.
How did you get started traveling?
Anastasia Ashman: My fascination with a wider world cropped up early. As a toddler in countercultural Berkeley, CA my favorite pastime was “French Lady”, a tea party with Continental accents. I began traveling even further when I learned to read — comic books. Instead of poring over Archie & Veronica, perky storylines that revolved around characters who never graduated from high school nor breached the border of their staid hometown, I was entranced by the global expanse of history and people and culture revealed in the Belgian-made graphic adventures of Tintin. Tracking a drug-smuggling ring in Egypt, discovering a meteorite with a Polar research vessel, surviving a plane wreck on an Indonesian island — this was life!
Tintin’s travel tales, and many others after them, remain reference points. Last fall at a museum in Nazca, Peru one long-haired, head-banded Incan mummy stirred a pleasant flashback to “The Seven Crystal Balls”, as well as the awe of my twelve-year old self. It’s no wonder I pursued a degree in archaeology.
How did you get started writing?
AA: In the early ‘70s I kept a journal on childhood road trips where I recorded preferences for the wildness of Baja’s bumpy sand roads and discovering the mother-lode of sand-dollar graveyards in San Felipe to a sedate spin around British Columbia’s Lake Victoria and a fur-seal keychain from the gift shop. Later I was a correspondent, trying to explain my own culture to teen pen pals in Wales, Northern Ireland, and Malaysia, while I searched for clues about theirs hidden in precise penmanship, tarty vocabulary, and postage stamps with monarchs — some butterflies, some queens. During a slew of 20-something media and entertainment jobs I wrote and edited for years, whenever the opportunity presented itself, for a book packager and literary agency in New York, and for television, theatre and film producers in Los Angeles.
What do you consider your first “break” as a writer?
AA: Reviewing Pico Iyer’s essay collection Tropical Classical: Essays from Several Directions for the Far Eastern Economic Review in 1997. The newsweekly magazine based in Hong Kong was equivalent to TIME in Asia. I was living in Malaysia and devoting more attention to my writing career, so it was a breakthrough to write for a major publication and huge audience about subjects which mesmerized me.
What is your biggest challenge from a business standpoint? Editors? Finances? Promotion?
AA: Publishers and acquisition editors and publicists seem to have narrow expectations for travel literature so for my next book I plan to devote a lot of energy to a detailed marketing plan which will accompany the manuscript in its rounds to publishers. Jennifer and I learned quite a bit about marketing to publishers with Tales from the Expat Harem, which was initially turned down by 10 New York houses who liked it but couldn’t fathom its market (Turkey’s too limited a subject, they said). We’ve since determined that it addresses a multitude of distinct groups beyond the basic cells of travelers, expatriates, women writers and travel writers. In fact, we found enough specific target markets we were able to fill a hundred pages of our marketing plan with actual contacts of potentially interested people and organizations, like Turkish American associations, women’s and Middle Eastern studies programs at hundreds of North American universities, and specific Turkophile populations like the alumni of the Peace Corps who served in Turkey.
And the beauty of a marketing plan which breaks down readerships is that a writer (or if you’re lucky, a publisher) can contact all of these people. Jennifer and I also compiled more practical subsidiary audiences for the anthology, like multinational corporations with operations in Turkey, and embassies and tourism organizations which might use the book as a cross-cultural training tool or a promotional vehicle. We were successful enough in our initial efforts in academic marketing that the book is currently used in at least three university courses and is stocked by more than 100 academic and public libraries worldwide.
What travel authors or books might you recommend and/or have influenced you?
AA: Recently I enjoyed Blue Latitudes: Boldly Going Where Captain Cook Has Gone Beforeby Tony Horwitz for its mix of historical research, personal experience, and contemporary journalism. Historical travel writing also connects me to the lands I find myself in, and points to the parallels which still exist. My steamy days in Kuala Lumpur were enriched by reading Somerset Maugham, whose Malayan fiction was entirely believable. A series of historical Asian travelogues and contemporary scholarship released by Oxford-in-Asia jogged my imagination and similarly, now that I am based in Turkey, I’ll be turning to the Cultures in Dialogue series at Gorgias Press, which resurrects antique writings about Turkish life by British and American women travelers and refreshes them with contemporary academic analysis.